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“Do not touch”

A version of this essay was originally published in Portuguese in the online magazine ArteCapital in February 2016 On the 6th of November, 1962, Kensington’s wealthy residents were finally able to inspect the strange building that had been under construction

“Do not touch”

A version of this essay was originally published in Portuguese in the online magazine ArteCapital in February 2016 On the 6th of November, 1962, Kensington’s wealthy residents were finally able to inspect the strange building that had been under construction

Petronella’s Cabinet (or a miniature attempt at the semiotics of the dollhouse)

  Deep inside the cantilever of a drawer or the perfumed depth of a wicker basket I still find the remnants of someone’s childhood (not sure exactly whom) in the form of a minuscule pot lid with a minuscule welded

Petronella’s Cabinet (or a miniature attempt at the semiotics of the dollhouse)

  Deep inside the cantilever of a drawer or the perfumed depth of a wicker basket I still find the remnants of someone’s childhood (not sure exactly whom) in the form of a minuscule pot lid with a minuscule welded

The End of Architecture?

There was once a steady and dignified profession, one that combined skill and competence in technology with an artistic sensibility. Its practitioners underwent an extensive and intense training and I am almost sure that at that time, people thought it

Featured / 8 comments

The End of Architecture?

There was once a steady and dignified profession, one that combined skill and competence in technology with an artistic sensibility. Its practitioners underwent an extensive and intense training and I am almost sure that at that time, people thought it

Featured / 8 comments